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  • Ceramic - Korean Ceramic artist : Shin Kwangsub  - ICHEON CERAMIC
  • Ceramic - Korean Ceramic artist : Shin Kwangsub  - ICHEON CERAMIC
  • Ceramic - Korean Ceramic artist : Shin Kwangsub  - ICHEON CERAMIC
  • Ceramic - Korean Ceramic artist : Shin Kwangsub  - ICHEON CERAMIC
  • Ceramic - Korean Ceramic artist : Shin Kwangsub  - ICHEON CERAMIC
  • Ceramic - Korean Ceramic artist : Shin Kwangsub  - ICHEON CERAMIC
  • Ceramic - Korean Ceramic artist : Shin Kwangsub  - ICHEON CERAMIC
  • Ceramic - Korean Ceramic artist : Shin Kwangsub  - ICHEON CERAMIC
  • Ceramic - Korean Ceramic artist : Shin Kwangsub  - ICHEON CERAMIC
  • Ceramic - Korean Ceramic artist : Shin Kwangsub  - ICHEON CERAMIC

KOREAN CERAMIC ARTIST : SHIN KWANGSUB

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Instead of using glazes after biscuit firing, Shin adds pigments to the clay. In addition, he doesn’t use glaz- es on the exterior of his pieces, instead he creates a sheen by polishing. Glaze is only applied to the insides of his pieces. His technique results in pieces that combine art and commerce.

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ICHEON CERAMIC
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