I have a fascination for the monstrous. But the monster, far from being accident of the creation, is an emanation of the nature which I tame by transforming it into art.
I compare my work with a laboratory, an anteroom in which I operate from tensions between rationality and dream, nature and subtlety. I collect the strangest objects there so giving me the sensation of seizing the process of creation of the world. Thereby I acquire the close secrets of our universe by what he proposes of more fantastic.
At the end, my objects are the fruit of a jubilation for the ornamental, often filled with strange and melancholy.
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